Wednesday, July 08, 2009

biohazard














Location :Brooklyn, NY, USA
Website http://www.biohazard.com
Genre(s) :Heavy , Thrash , Hardcore



..:: Biography ::..
BIOHAZARD was founded in 1988 in bloody district of NYC Brooklyn. The original lineup consisted of guitarist/vocalist Billy Graziadei, bassist/vocalist Evan Seinfeld, guitarist Bobby Hambel, and drummer Danny Schuler. They formed Biohazard for the purpose of expressing political viewpoints and discussing problems facing urban youth, which all of the members had experience dealing with themselves. They think all people should be 'Down For Life' wich means that they should be loyal to their friends and family, 'cause they're the only ones to back you up. There is BIO fanclub called Down For Life (DFL). It unites the most hardcore Biofans(called DFLers) around the world.

Biohazard began opening for local hardcore and thrash bands and gradually built a large following through their outraged sense of injustice, political awareness, and constant touring. Inspired by (but not limited to): Black Sabbath, Iron Maiden, Run DMC, Bad brains, Judas Priest, Cro-Mags, Public Enemy, The Ramones, Agnostic Front, the band set out to create a musical hybrid that would transcend easy categorization and not be bound by limitation. Biohazard was one of the first bands to mix heavy metal and hardcore with elements of hip-hop and rap.

In 1990 they signed their first label at a little record-company which is called Maze Records, Biohazard also released their first LP there, which is published under the name "Biohazard". It sold over 40.000 copies, this bad quantity was based on poor promotion. This album was all about Brooklyn, the gang-wars, drugs, violence, etc. After releasing their debut in 1990, Biohazard set out on their path for world domination. Returning from their first European tour, they realized that the problems they sang about on their first record were not limited to their Brooklyn hometown.

After a long time of fighting about a good record label, Biohazard finally got it's contract with Roadrunner Records. In 1992, the band released the classic URBAN DISCIPLINE, which went on to sell over 1,000,000 copies worldwide. Consequently, Biohazard became support of bigger acts such as House Of Pain, Sick Of It All, Fishbone and Kyuss. Spawning from this record was the video for the track "Punishment" which was the most played video in the history of MTV's Headbanger's Ball and is still regarded as one of the most influential records of the nineties.

In 1993, the hard-core rap group Onyx recorded an alternate version of their hit single "Slam" with Biohazard backing them up. This led to both bands collaborating on the title song for the groundbreaking Judgement Night soundtrack, which sold over 2,000,000 copies in the US. In the same year they changed to Warner Brothers Records Inc. and published their third and most successful studio LP "State Of The World Address". It was produced in winter`94 in Los Angeles with Ed Stasium. In 1994 Biohazard again was touring the entire planet and drawing strength from their loyal fans. SOTWA went on to sell over 1,000,000 copies and spawned the hit single and video "How It Is" featuring Sen-Dog from Cypress Hill. This album was up to now the most controversial Biohazard LP. It criticized the sharp and clear thinking of the band. After this little conflict the Rolling Stone Magazine selected the Biohazard logo for the best logo of the year. The third LP also was the last one for Bobby, who left the band a few times later.

Biohazard went on to release the fourth album called Mata Leao two years later. It was produced for the second time at Warner Brothers with the help of Dave Jerden. Biohazard recorded it with only three members: Evan, Billy, Danny. Without a lead guitarist, but you can hear that it is a great piece of work. The title means, "to kill the lion" and, in a sense, they discovered that their ambitions would lead them to do just that. By facing their fears head on, defeating their inner demons and looking around the globe for answers, the band found the truth inside themselves.

Battling drug and alcohol abuse, inter-band strife, record labels folding, merging and abandoning them for more pop flavors, Biohazard staggered like a champion fighter, but never went down. During these difficult years, Biohazard succeeded in sticking it out together. For the Mata Leao Tour in 1996, the band needed a talented lead guitarist, so they choosed the ex-Helmet guitarist Rob Echeverria. With the assistance of Rob they published their first live record "No Holds Barred" in 1997. The whole album was recorded in Hamburg with the helping hands of Roadrunner Records.

After that the band signed to Mercury Records and released the critically acclaimed the fifth record called New World Disorder in 1999. Everything was done again with the help of Ed Stasium, but this time in New York City. In the same year, Biohazard toured for "New World Disorder" among other things in Europe, for example at Rock am Ring / Rock im Park or at the Bizarre festival in Cologne. Feeling betrayed and misunderstood by their label, the band left Mercury amidst the mass artist genocide that occurred with the merger of Mercury, Island, Def Jam and Polygram into Universal. In 2000, operating on their survival instincts, the band re-grouped and launched a highly successful European/Japan tour with no record label or managerial support.

After traveling all over the world, they earned a longer break to began doing the work on the sixth record "Tales From The B-Sides". The LP is full of the coolest b-side and remix shit. A few month ago, Rob has left the band, he wants to settle down and get married. Fortunately the band found a new lead guitarist, his name is Leo Curley. In the meantime Biohazard signed a new record deal with SPV/Steamhammer for Europe and Sanctuary for the rest of the world. During the bands' downtime, the high visibility of being hard-core legends connected Evan with Tom Fontana landing him a high profile starring role portraying the prison convict "Jaz Hoyt" on HBO's critically acclaimed and award winning hit series "OZ".

Billy used his music skills in a trip-hop “massive attackish” project called BLU. The band consists of two members: Billy and a vocalist Jeni Bair. The bands' hard work had earned respect has also brought Billy into the journalism world. Currently working on a collection of "Tales from the Hardside" for later release, you can find some of these tales in magazines like Metal Hammer and FAQ (to name a few) where he has his own monthly column. Danny also undertook some activities outside Biohazard. He joined New York's band called Among Thieves as a replacement for Will Shepler (ex-Agnostic Front/Madball).

Also during this time, Billy and Danny transformed the bands infamous rehearsal studio/hangout in downtown Brooklyn into a world class digital recording studio now know as Rat Piss Studios. Re-investing into the band, Billy and Danny honed their engineering and productions skills while recording/producing local acts and new Biohazard demos. Armed with a truckload of new music, the band undertook the difficult process of writing, recording and producing their own music. In september of 2001 they released their sixth studio LP (except NHB & Tales From The B-Side) “Uncivilization”. The album features guests the likes of Roger Miret (Agnostic Front), Jamie Jasta of Hatebreed, Phil Anselmo (Pantera), Corey from Slipknot and also mate from Skarhead, Lord Ezec.

Unfortunately some months after releasing of “Uncivilization” Biohazard parted ways with Leo Curley. Curley's departure was caused by his desire to write his own material, a prospect which proved virtually impossible in an act that has been composing songs as a three-piece since Biohazard's split with original guitarist Bobby Hambel in the mid-1990s. The split with Leo was mutual, no bad feelings. Biohazard have replaced Leo with former Nucleus axeman Carmine Vincent. Vincent is no stranger to the Biohazard camp, having previously traveled with the group as a roadie in addition to having supported Biohazard as the bassist/vocalist for NUCLEUS during a tour of Europe in late 2000. Brand new Biohazard album was recorded with Carmine and entitled "Kill Or Be Killed" (2003) and is the most brutal and heaviest to date.

In 2005, Biohazard embarked on what has become their final album, Means to an End. With the success of their studio work, Billy and Danny opened up the Underground Sound Studios in NJ, in exchange for lower overhead and more space, they left Rat Piss Studios behind. After focusing on their earlier energy that the members found as definative Biohazard, disaster struck the band. While mixing the album, a horrible mishap caused the loss of the album (recorded in digital audio as most recordings these days are). After regrouping, Graziadei and Schuler rekindled their passion and rejoined the fight to finish this soon to be classic Biohazard album: Means to an End.

Billy is currently 100% focused on his new band Suicide City, while at home he works in the successful Underground Sound Studios that he and Danny Schuler have been building up over the years! Danny Schuler is currently working on a project called Bloodclot with Biohazard guitar play

Tuesday, July 07, 2009

scorpions

























location : Hanover, Germany
website http/:www.the-scorpions.com
Genre(s) Heavy metal, hard rock



...:::biogrphy:::...
Rudolf Schenker, the band's rhythm guitarist launched the band in 1965. At first, the band had beat influences and Schenker himself did the vocals. Things began to come together in 1969 when Schenker's younger brother Michael and vocalist Klaus Meine joined the band. In 1972, the group recorded and released their debut album Lonesome Crow, with Lothar Heimberg on bass and Wolfgang Dziony on drums. During the Lonesome Crow tour, the Scorpions opened for upcoming British band UFO. Near the end of the tour, the members of UFO offered guitarist Michael Schenker the lead guitar job; an offer which he soon accepted. Uli Roth, a friend of the Schenker brothers, was then called in temporarily to finish off the tour.

The departure of Michael Schenker led to the breakup of the band. In 1973, Uli Roth, who had helped the Scorpions complete the Lonesome Crow tour, was offered the role as lead guitarist, but turned the band down, preferring instead to remain in the band Dawn Road. Schenker eventually decided that he wanted to work with Roth, but did not want to resurrect the last Scorpions lineup. He attended some of Dawn Road's rehearsals and ultimately decided to join the band, which consisted of Roth, Francis Buchholz (bass), Achim Kirschning (keyboards) and Jürgen Rosenthal (drums). Roth and Buchholz persuaded Rudolf Schenker to invite Klaus Meine to join, which he soon did. While there were more members of Dawn Road than Scorpions in the band, they decided to use the Scorpions name because it was well-known in the German hard rock scene and an album had been released under that name.

sinergy








lotion : Helsinki, Finland
Website http://www.myspace.com/sinergymetal
Genre(s) :Heavy




..:: Biography ::..
The initial idea of assembling Sinergy originated when the then Dimmu Borgir keyboard player Kimberly Goss met with In Flames guitarist Jesper Str..mblad during a joint world tour. They discussed the idea of assembling a female-fronted metal band, but due to time constraints were unable to take the idea much further.

When Kimberly quit Dimmu Borgir and moved to Sweden, she decided that it was time to turn her project with Str..mblad into a reality. The first incarnation of Sinergy was composed of them, bassist Sharlee DAngelo (from Arch Enemy and Mercyful Fate), drummer Ronny Milianowicz and by then unknown guitarist Alexi Laiho (from Children of Bodom).

The debut album Beware the Heavens was recorded in 1999 and had a basic concept: returning to the essence of woman-fronted metal bands, throwing aside the operatic elements introduced in the 90's and bringing back the style of singers such as Doro Pesch (from Warlock).

The album sold rather well and was received with excitement by European metal fans, but Sinergy was facing serious problems when it came to managing the time its members spent with their main bands. To complicate matters further, Kimberly moved to Finland by the end of the same year, making it almost impossible for them to meet regularly, being that three of the band members lived in Sweden.

Thus, the band was essentially dissolved, but Kimberly and Alexi wanted to continue with the project. In order to accomplish that, they assembled a new line-up, composed of Finnish members only. Roope Latvala (founding member of Stone, one of the bands which started the heavy metal movement in Finland) assumed the position of rhythm guitarist, Marco Hietala (from Tarot) became the bassist and Tonmi Lillman was chosen as the new drummer. This line-up recorded To Hell and Back and subsequently toured with Nightwish. By that time, Sinergy was starting to receive world recognition. This tour is perhaps most notable for being included on Nightwish's DVD release From Wishes To Eternity. A memorable moment is a practical joke in which a selection of support musicians made their way on stage pretending to be Nightwish. Ironically, Marco Hietala filled the role of Nightwish's bassist Sami, who he was to replace on their next album.

However, the band would only assume its true identity with the recording of the album Suicide By My Side. Kimberly dropped the use of lighter - more typically feminine - vocals and switched to a rougher and more impacting style. Alexi and Roope composed memorable solos for that album, such as that of I Spit On Your Grave.

Soon after the release of the third album, Lillman quit the band and was replaced by Swede Mats Karlsson. Sinergy currently plans the release of their fourth album sometime in 2006.

obituary





















Location :Brandon, Florida
Website http://www.obituary.cc
Genre(s) :Death





..:: Biography ::..
It's 1998 and Obituary is "Back From The Dead"... Not to say that Obituary was ever dead. After being in a hiatus for almost three years, the world's heaviest band lashes out with yet another classic death metal album.
Obituary have been stalwarts in the death metal scene since their first album, Slowly We Rot, was released in 1989. They solidified their status in the genre with three more albums - 1990s Cause Of Death, 1992s The End Complete, and 1994s World Demise. Few have survived this style of music that has almost no commercial radio support and survives by the passion encrusted in their seedy fans. Unlike other death metal bands, Obituary avoid the Satanic and religious imagery and keep it spooky and gruesome. On, Back From The Dead, Obituary continue to carry the torch of death metal into the unpromised land. They are still the world's heaviest band. This record shall stand as testament. The album can be best described to any Obituary fan as a flash back to their earlier days. Defined by Allen West's and Trevor Peres' grinding guitars and the incredibly guttural vocals of John Tardy, Back From The Dead offers the death metal world eleven of the most aggressive and brutal songs written by Obituary to date. Record number five isn't a rehash of the first, but rather a foray into the future of death metal. A new studio (Criteria Recording Studios in Miami, FL) and a different producer (Jamie Locke) allowed the band to feel that they were progressing as a musical outfit. While many other bands try to follow new trends, Obituary continue to expand on the realm of the genre while breaking down preconceived boundaries.

The key to Obituary's success is their marriage of catchy metal riffs and crunchy multi-tempo chord changes. Others have a tendency to obsess on the breakneck speed and hammer-ons only to find it all getting buried in one homogenous mess, but not Obituary. "It's a heavy record but still has riffs you can hum" explains Trevor of the new album. A fact that sheds light on the band's European success, where they have been in Billboard's Top 40 both in Germany and Finland. But stateside, the fans aren't as numerous yet. "All those college kids," quips Trevor, "that go see a band like No Doubt and thrash about in a pit, need to go see Obituary." Indeed they do, because another formula to their long-standing success is their live show. But how does one bottle all that energy? Trevor sheds some light on their secret. "You really need a lot of stamina to play this style of music. I mean you have to practice a lot just to keep in shape."

Today's musicians, says Trevor, make fashionable music and this disgusts him. The band was toying with the idea of just having a generic white cover but this would "upset a lot of the fans who really dig our album artwork." So in keeping with that, the cover you have in your hands was drawn by acclaimed artist Berni Wrightson who is responsible for giving birth to the classic creep Swamp Thing.

From the slow grind of the title track "Back From The Dead" to the maddening riffage of "Platonic Disease," you'll find that the band is anything but dead and far from penning their own obituary. The band will be blowing up concert halls and festival stages around the world in the next year. By year's end, they'll be in plenty good shape. So, while many other metal bands try to follow new trends, Obituary continues to lead the scene as one of the forefathers and creators of death metal.