Wednesday, August 26, 2009

SLAYER - Revealing new tracklist for the upcoming album (Thrash Metal)

SLAYER - Revealing new tracklist for the upcoming album (Thrash Metal)


SLAYERThrash Metal veterans, Slayer, just recently reveal to the world: details about the upcoming album! I can’t believe this shit! Slayer still making another album?? Haha, I mean the last one is a letdown already and now there is a new one taht soon to be released! So, ok… listed below were the tracks that you should be digging in a few months!

TRACKLIST
01. World Painted Blood
02. Unit 731
03. Snuff
04. Beauty Through Order
05. Hate Worldwide
06. Public Display Of Dismemberment
07. Human Strain
08. Americon
09. Psychopathy Red
10. Playing With Dolls
11. Not Of This God

Classic Albums: Wargasm - Why Play Around (1988)

Classic Albums: Wargasm - Why Play Around (1988)















It is very difficult, or at least complex, placing the exact role of Wargasm in context, even having recorded an absolute classic American thrash and undisputed as is this "Why Play Around?" His fame and recognition is years later light they might encounter in their day Slayer, Anthrax and Metallica, or even of an imaginary group of second row as Dark Angel, Sacred Reich or Death Angel. But in fact, if they are still remembered today, twenty years after the Boston trio began to publish her first demos, it's like a cult group with one of the best debuts of his style.
They were born, as we said, in Boston, a barren place for the Thrash scene which came to spearhead from his early days as a band, the parents of the child in question were Spillberg brothers, Rich (guitar) and Barry (drums), who by comparison became something like the Van Halen brothers of Thrash Metal. The kids then matched a strong learning their instruments with their passion for rock and heavy metal in general, especially the dirtiest and most powerful variant that they were coming directly from Britain labor groups as Motörhead, Tank, and even Venom.
Around 1985, together with another kid in his neighborhood, Bob May, who combines his passion for comics, black humor and horror films (hobbies he shared with Spillberg) with bass, an instrument to dominate with ease. Thus, they begin to rehearse under the name Maniac, who shortly after another name change to more ingenious: Wargasm. With him put down his dry humor and sarcastic, which would explode in their early models, Rainbows, Kittens, Flowers & Puppies "and" Satan My Lunch Money Store! ", Both published in 1986.
However, it took much more serious about recording their first album, which would see the light in 1988: in it, and we find a group to be incredibly mature for a debut album. We are facing some Wargasm appearing, as in the middle of nowhere, between the boom of thrash, which was already beginning to see early-clone bands. Therefore, the Thrash by now was only a reality in the global metal scene, and perhaps having arrived a little later than Testament (for example), was the cause of Wargasm would not get a much greater recognition at the time. Anyway, if they remember it as one of the most original moment, and that they did not need to resort to experimentation with other sounds, whether Hardcore (SOD, Cryptic Slaughter, and the countless stream of Crossover) or even Funky (Watchtower).
His originality was that, even making a high purity Thrash knew develop a sound very own, genuine, and quite characteristic. They were able to take a simple idea and twist it in a thousand ways to get a theme full of energy and strength without going to the excessive (for some) of the Swiss technical flourishes Coroner, the group with which, moreover, share many parallels.
Wargasm were a time bomb. Rich was an excellent guitar, so sure of his chances did not need a second guitarist supporting him and his brother Barry, popularly known as 'the most accurate foot along the East Coast' skills through the pedals, was a perfect machine gun rhythm for the group. And what of the great Bob, who was leading this wonderful group of friends, playing bass as a real monster and singing lyrics quite successful. They used to have a degree of reality still trying on terror and / or dry humor: he himself said he did not feel comfortable singing to people about social problems, say people should think or do, nor resorting to violence, according to them unnecessarily, about Slayer. His lyrics on terror, humor acid or post-apocalyptic visions tended to hide behind some great truth, a postcard of the reality of the time.
All Wargasm essence, what they were and what they will be, reflected masterfully in his debut album, "Why Play Around?" Where we find a breath of fresh air for the Thrash. The album picked up old issues that are basically composed and played from the start, except two ( "Revenge" and "Wargasm."
Open the album "Wasteland", a terrific mid-tempo to win some more speed at the end, we find as authentic riffs that fall bombs: its strength and magnetism made him a theme with real hook that has gone through to become one of the Top trio to record. And let's not talk of "Revenge" sacred manna for lovers of Thrash: this is a broad field of seven minutes, in which the word 'boredom' or 'sameness' is a term too distant and incomprehensible. A highlight of the paper by Barry on drums, who knows more than give a special dynamism to this song.
Follow the feast with the fantastic "Bullets & Blades", built on a very technical riff demonstrating masterful control over his instrument Spillberg Rich. Its refrain, certainly catchy, and so devastating that end, what eventually emerged as an undisputed anthem for every follower of the group. "Undead", meanwhile, begins with a strange, dark tranquility, which ends in a violent break with a subject of more intense Thrash Metal. This is a quick topic, essentially in a spirit similar to "Fight Fire With Fire" by Metallica ... in short, an intense and frantic theme does not lull the listener.
The rest gives only a brief interlude "Merritt's Girlfriend", which despite not having great value in itself, represents a time after a song as intense as the previous post ... and since, because, like thunder, comes immediately "Sudden Death" to make clear that there's no respite. The very title indicates: it is a brutal mid-tempo, full of magic and compelling riffs and few, after the solo (again, Rich is out), the issue leads to a faster pace. Then, with "Wargasm" reaches the largest theme of the album, and certainly one of the great classics. It begins in a surprisingly smooth (almost with an air circus), ending riffs giving way to completísimos (which has some breathtaking hikes) on which to build a complex composition, varied, with a large letter. This is followed by "Le Cou Cou", an experimental interlude where Rich demonstrated by piece heavily influenced by Renaissance and Baroque music, not only his great mastery of the six strings, but their knowledge of musical harmony. The finishing touch puts the overwhelming "Humanoid", another cut is fast and intense that a perfect ending to an album like this.
After the publication of "Why Play Around?" Wargasm, if they wanted, they could increase their legend, but in this case the circumstances were not too favorable. Published two albums, "Ugly" (1993) and "Suicide Notes" (1995), plus a lot of material scattered in the form of demos, singles and EP's along time, in short, lacking the subsequent material magic that had its debut album, a classic that, rather than be underestimated, has been overshadowed by other releases from other bands. In any case, a job that anyone who presumes to love the Thrash should have on their shelves as gold cloth.
Source: Metal4All.net

Sunday, August 16, 2009

Stratovarius

Stratovarius
http://i123.photobucket.com/albums/o320/Zedkiel666/stratovarius.gif

Location :Helsinki, Finland
Website :www.stratovarius.com
Genre(s) :Progressive , Power , Melodic


..:: Biography ::..

Although Helsinki, Finland heavy metal band Stratovarius was formed in 1982 by drummer Tuomo Lassila, the group did not record its debut album, Fright Night, until 1989 (after which Lassila departed). 1992's Twilight Time established a fan base in Japan, becoming the biggest-selling import of that year; Stratovarius consolidated its Japanese popularity with an extensive tour of the country behind 1994's Dreamspace. Following 1995's Fourth Dimension, the lineup shifted to include vocalist Timo Kotipelto, guitarist Timo Tolkki, bassist Jari Kainulainen, ex-Yngwie Malmsteen keyboardist Jens Johanssen, and drummer Jorg Michael. This lineup added a choir and orchestra for 1996's Episode in 1996 and 1997's Visions, the latter of which was released in the U.S. early in 1998. American reissues of most of Stratovarius' previous output followed over the course of the year, and in the spring of 2000 the group issued Infinite. Intermission appeared the following summer. With every album, their fame and fan-base expanded, and they started gaining a stronger following outside Scandinavia, particularly in Japan.
In 2003, the band released its most epic project yet, the two album suite named Elements. With these albums, they reached a peak in their progressive and symphonic style of power-metal. The first album, Elements pt. 1, was released in early 2003, followed by a world tour. "Elements pt. 1" was followed by "Elements pt. 2", also released on Nuclear Blast records in the same year with the hit single "I Walk To My Own Song".In late 2003, the band broke up, with Timo Kotipelto and Jörg Michael leaving after a very vaguely explained conflict.The rest of 2004 was virtually complete silence from the band.



Fright Night - 1989

Antti Ikonen ( Additional Keyboards)
Jyrki Lentonen (Bass)
Timo Tolkki ( Vocals, Guitar)
Tuomo Lassila (Drums)

Twilight Time - 1992

Antti Ikonen (Keyboards)
Jari Behm (Bass)
Timo Tolkki ( Vocals, Guitar)
Tuomo Lassila (Drums)

Dreamscape - 1994


Antti Ikonen (Keyboards,Computers)
Jari Kainulainen (Bass)
Timo Tolkki ( Vocals, Guitar)
Tuomo Lassila (Drums,Percussion,Flute)

Fourth Dimension - 1995

Antti Ikonen (Keyboards)
Jari Kainulainen (Bass)
Timo Kotipelto (Vocals)
Timo Tolkki (Guitars,Backing Vocals)
Tuomo Lassila (Drums)

Episode - 1996

Jari Kainulainen (Bass)
Jens Johansson (Keyboard)
Jörg Michael (Drums)
Timo Kotipelto (Vocals)
Timo Tolkki (Guitar)
Visions - 1997

Jari Kainulainen (Bass)
Jens Johansson (Keyboard)
Jörg Michael (Drums)
Timo Kotipelto (Vocals)
Timo Tolkki ( Guitar)

Visions of Europe - ( Live) - 1997

Jari Kainulainen (Bass)
Jens Johansson (Keyboard)
Jörg Michael (Drums)
Timo Kotipelto (Vocals)
Timo Tolkki ( Vocals, Guitar)
Destiny - 1998

Jari Kainulainen (Bass)
Jens Johansson (Keyboard)
Jörg Michael (Drums)
Timo Kotipelto (Vocals)
Timo Tolkki (Guitar)

Infinite - 2000

Jari Kainulainen (Bass)
Jens Johansson (Keyboard)
Jörg Michael (Drums)
Timo Kotipelto (Vocals)
Timo Tolkki ( Guitar)

Intermission - 2001

Jari Kainulainen (Bass)
Jens Johansson (Keyboard)
Jörg Michael (Drums)
Timo Kotipelto (Vocals)
Timo Tolkki (Guitar)

Elements Pt.1 - 2003

Jari Kainulainen (Bass)
Jens Johansson (Keyboard)
Jörg Michael (Drums)
Timo Kotipelto (Vocals)
Timo Tolkki (Guitar)

Elements Pt.2 - 2003

Jari Kainulainen (Bass)
Jens Johansson (Keyboard)
Jörg Michael (Drums)
Timo Kotipelto (Vocals)
Timo Tolkki (Guitar)

Stratovarius - 2005

Jari Kainulainen (Bass)
Jens Johansson (Keyboard)
Jörg Michael (Drums)
Timo Kotipelto (Vocals)
Timo Tolkki (Guitar)

Polaris - 2009

Jens Johansson (Keyboard)
Jörg Michael (Drums)
Lauri Porra (Bass)
Matias Kupiainen (guitar)
Timo Kotipelto (Vocals)

GOD FORBID

GOD FORBID
godforbid3.jpg god forbid image by washedpa


Location :New Jersey
Website :http://www.godforbid1.com/
Genre(s) :Death , Hardcore , Metalcore



..:: Biography ::..
GOD FORBID triumphantly return with IV: Constitution Of Treason, their most dynamic and devastating offering yet, one which will undoubtedly solidify their positio lite. This mighty New Jersey-based quintet have now forged their own unique path and stretched their musical boundaries to the very limit while creating a thought-provoking conceptual opus that will undoubtedly stand the test of time.

Soon after the group's inception in 1996, The Out of Misery EP and debut full-length Reject The Sickness were released on the small indie label 9 Volt Records, helping GOD FORBID develop an underground and strong regional following. This buzz attracted the attention of Century Media Records, who quickly signed the band. In 2001, the band unleashed Determination - an Americanized form of thrash metal so unrelenting that it brought listeners to their knees. Their undying road dog mentality helped them to expand their devoted fanbase, while the challe hows with artists ranging from Cradle of Filth and Opeth to Mushroomhead and Thursday forced their live performances to grow stronger and more devastating. The group soon realized that they needed to reach deeper down within themselves to channel the energy and emotions needed to help their songwriting evolve, in order to craft the definitive GOD FORBID sound.

After a tour with Atreyu and a series of shows with Shadows Fall, Killswitch Engage and Lamb of God on the inaugural Headbangers Ball tour, GOD FORBID emerged from the studio in early 2004 with the blistering, Gone Forever, which put the band on the international map. The critically acclaimed album successfully bridged the gap between thrash, hardcore and traditional metal. They soon embarked on a few dates on a massive Ja with Slipknot, Fear Factory and Chimaira, leading immediately into a highly successful nationwide U.S. run and full European tour with Machine Head. However, the group's biggest break would come that summer on Ozzfest, where their highly captivating and energetic performances helped them garner new legions of fans. So-called "off-fest" dates with Slayer and Slipknot further cemented their momentum. GOD FORBID wrapped up the album's touring cycle with their first-ever U.S. headlining run in early 2005 and were in top form as they entered the studio to begin tracking an eagerly awaited new effort.

IV: Constitution Of Treason was produced by Jason Suecof (Trivium) at Audiohammer Studios and Eric Rachel (Atreyu, Dillinger Escape Plan) at Trax East, who also handled mixing duties. T e step forward for the band in regards to songwriting, as they emphasize developing the melodies and arrangements of each individual track. Meanwhile the stunning guitar duo of brothers Doc and Dallas Coyle delivers its most breathtaking performances yet. Doc further describes his thoughts on their new material: "Musically, it's a more refined and complex version of the traditional GOD FORBID sound, but offers several new twists and turns. I really think everyone will be surprised when they hear the growth, especially in the vocals."

The concept behind IV: Constitution Of Treason is told in three parts, the first being "Twilight of Civilization," where nations engage in a worldwide nuclear onslaught that obliterates our way of life. In part two, "In The Darkest Hour, There Was O rld is in the midst of fascist rule until one man emerges from the downtrodden common people to rebel against these ideals. He speaks to them about free choice and individuality, leading to uprisings and descent, which eventually is traced back to this man. Sentenced to banishment and death in the wasteland, he has a spiritual revelation and miraculously returns unscathed. The Hero is soon burned alive in public for all to see the awe-inspiring lack of mercy shown to those who commit treason. In part three, "Devolution," several centuries pass since the time of the Hero, and his tales become legends so profound that the masses dedicate their lives to one side of these beliefs or the other. The ultimate lesson to be learned is, even if a holocaust couldn't keep a good species down, it is doomed to repeat cataclysmic mistakes. But while predictability has seemingly become humankind's defining characteristic, the moral is to not let it define you.



Out of Misery - 1998

Byron Davis (Vocals)
Corey Pierce (Drums)
Dallas Coyle (Guitar)
Doc Coyle (Guitar)
John Outcalt (Bass)

Reject the Sickness - 1999

Byron Davis (Vocals)
Corey Pierce (Drums)
Dallas Coyle (Guitar)
Doc Coyle (Guitar)
John Outcalt (Bass)

Determination - 2001

Byron Davis (Vocals)
Corey Pierce (Drums)
Dallas Coyle (Guitar)
Doc Coyle (Guitar)
John Outcalt (Bass)
Gone Forever - 2004

Byron Davis (Vocals)
Corey Pierce (Drums)
Dallas Coyle (Guitar)
Doc Coyle (Guitar)
John Outcalt (Bass)

Better Days (ep) - 2004

Byron Davis (Vocals)
Corey Pierce (Drums)
Dallas Coyle (Guitar)
Doc Coyle (Guitar)
John Outcalt (Bass)

The Constitution of Treason - 2005

Byron Davis (Vocals)
Corey Pierce (Drums)
Dallas Coyle (Guitar)
Doc Coyle (Guitar)
John Outcalt (Bass)

Sonata Arctica

Sonata Arctica

http://userserve-ak.last.fm/serve/500/231550/Sonata+Arctica.jpg



Location :Finland
Website :http://www.sonataarctica.info/
Genre(s) :Power
..:: Biography ::..
Sonata Arctica was born in 1996 on the edge of the world, in northern Finish town of Kemi. The very first incarnation of the band was named Tricky Beans. As Tricky Beans, the group produced three demos (Friend till the End, Agre Pamppers and PeaceMaker) and played twice in Jyrki Sähkösirkus. After some personnel changes in 1997, the outfit changed their name to Tricky Means. Let it be know to the Metal community that initially the band experimented in musical styles far from heavy metal.

Turning the page in 1999, Tricky Means recorded new demo "FullMoon" in Tico Tico Studios located in their hometown, Kemi. At the time of recording the line-up consisted of: Tony (vocals/keys), Jani (guitars), Tommy (drums), and Janne (bass). This new demo was the first exploration of the band in heavy metal waters. Band's trademark sound of fast, melodic and keyboard oriented heavy metal with clear and high vocals was born. As fate would have it and with help from Ahti Kortelainen of Tico-Tico Studio, the "FullMoon" demo found its way to the premier metal label of Finland, Spinefarm. At the same time Tricky Means became Sonata Arctica.


Summer of 1999 brought us the first single from Sonata Arctica - UnOpened. The title song was simultaneously included in Metalliliitto 1999 compilation CD. Two furious tracks from the single, UnOpened and Mary-Lou marked the arrival of SA to power metal community. Of course, not everything went smoothly. During the first mix/pressing of UnOpened single, Track 1, UnOpened, was unintentionally slowed down. The mistake was discovered shortly after the first batch of disks was sent to music stores. Entire first pressing was recalled. Approximately 200 copies from that first run were sold and are now considered rare collector's items.


Autumn of 1999 marked the release of the very first full-length album, Ecliptica. Initially released in Finland, other countries quickly followed. Widely successful, Ecliptica opened doors for Sonata Arctica to participate in two tribute records. 'I Want Out' for Helloween tribute album "Keepers of Jericho" and 'Still Loving You' for Scorpions tribute, "A Tribute to the Scorpions" were both kick-ass versions of originals.


Soon after the release of Ecliptica, band's mastermind Tony Kakko decided to concentrate more on singing, as opposed to trying to sing and play keyboards at the same time. Mikko Harkin (ex-Kenziner) joined the band to releif Tony from keys and to allow the front man to roam the stage. This change allowed for much more energetic live shows. It introduced a new capability for Sonata Arctica - to have two keyboard players simultaneously, adding a new cool twist to the live sound.




..:: Discography::..
UnOpened (single) - 1999

Jani Liimatainen (Guitar)
Janne Kivilahti (Bass)
Tommy Portimo (Drums)
Tony Kakko (Vocals, Keyboard)

Ecliptica - 1999

Jani Liimatainen (Guitar)
Janne Kivilahti (Bass)
Tommy Portimo (Drums)
Tony Kakko (Vocals, Keyboard)

Succesor (mini CD) - 2000

Jani Liimatainen (Guitar)
Janne Kivilahti (Bass)
Mikko Harkin (Keyboards)
Tommy Portimo (Drums)
Tony Kakko (Vocals, Keyboard)

Wolf and Raven (single) - 2001

Jani Liimatainen (Guitar)
Marko Paasikoski (Bass)
Mikko Harkin (Keyboards)
Tommy Portimo (Drums)
Tony Kakko (Vocals, Keyboard)
Silence - 2001

Jani Liimatainen (Guitar)
Marko Paasikoski (Bass)
Mikko Harkin (Keyboards)
Tommy Portimo (Drums)
Tony Kakko (Vocals, Keyboard)

Orientation (mini CD) - 2001

Jani Liimatainen (Guitar)
Marko Paasikoski (Bass)
Mikko Harkin (Keyboards)
Tommy Portimo (Drums)
Tony Kakko (Vocals, Keyboard)

Last Drop Falls (single) - 2001

Jani Liimatainen (Guitar)
Marko Paasikoski (Bass)
Mikko Harkin (Keyboards)
Tommy Portimo (Drums)
Tony Kakko (Vocals, Keyboard)

Songs of Silence (Live in Tokyo) - 2002

Jani Liimatainen (Guitar)
Marko Paasikoski (Bass)
Mikko Harkin (Keyboards)
Tommy Portimo (Drums)
Tony Kakko (Vocals, Keyboard)

Victoria's Secret (single) - 2003

Jani Liimatainen (Guitar)
Jens Johansson (Keyboard)
Marko Paasikoski (Bass)
Tommy Portimo (Drums)
Tony Kakko (Vocals, Keyboard)
Winterheart's Guild - २००३


Jani Liimatainen (Guitar)
Jens Johansson (Keyboard)
Marko Paasikoski (Bass)
Tommy Portimo (Drums)
Tony Kakko (Vocals, Keyboard)

Broken (single) - 2003

Jani Liimatainen (Guitar)
Marko Paasikoski (Bass)
Mikko Harkin (Keyboards)
Tommy Portimo (Drums)
Tony Kakko (Vocals, Keyboard)

Takatalvi (ep) - 2003

Henrik Klingenberg (Keyboards)
Jani Liimatainen (Guitar)
Janne Kivilahti (Bass)
Marko Paasikoski (Bass)
Mikko Harkin (Keyboards)
Tommy Portimo (Drums)
Tony Kakko (Vocals, Keyboard)

Don't Say a Word (ep) - 2004

Henrik Klingenberg (Keyboards)
Jani Liimatainen (Guitar)
Marko Paasikoski (Bass)
Tommy Portimo (Drums)
Tony Kakko (Vocals, Keyboard)
Reckoning Night - 2004

Henrik Klingenberg (Keyboards)
Jani Liimatainen (Guitar)
Marko Paasikoski (Bass)
Tommy Portimo (Drums)
Tony Kakko (Vocals, Keyboard)

Shamandalie (single) - 2004

Henrik Klingenberg (Keyboards)
Jani Liimatainen (Guitar)
Marko Paasikoski (Bass)
Tommy Portimo (Drums)
Tony Kakko (Vocals, Keyboard)

For the Sake of Revenge (live) - 2006

Henrik Klingenberg (Keyboards)
Jani Liimatainen (Guitar)
Marko Paasikoski (Bass)
Tommy Portimo (Drums)
Tony Kakko (Vocals, Keyboard)

Unia - 2007

Henrik Klingenberg (Keyboards)
Jani Liimatainen (Guitar)
Marko Paasikoski (Bass)
Tommy Portimo (Drums)
Tony Kakko (Vocals, Keyboard)